PaulaMcG ([info]paulamcg) wrote,
@ 2005-05-24 14:23:00
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Entry tags:fic, lost years, oc, remus

FIC: “A Gift” by paulamcg (PG)
Title: A Gift
Author: PaulaMcG
Summary: Four years after losing all his best friends Remus Lupin is saved by another friend. Can he only submit to being condemned to life and for whose benefit?
Era: 1984 - 1986
Rating: PG
Pairings: Only a possibility to interpret as implied RL/OMC and implied RL/SB (while Sirius is obviously absent).
Disclaimer: Any such character names, place names and other terms which have first appeared in the Harry Potter books, as well as any parts of the plots of those books, belong to J.K. Rowling and those who have bought the rights. The rest is mine but brings me no profit either.
Notes: There is an original character as one of the two viewpoint characters. This story was written in September 2004, and the style makes it quite different from my latest fics. However, I have here done only slight editing – as well as added a couple of paragraphs – to the version which is still up on Fiction Alley. The account of the time my Remus spent in Paris during the lost years is an important part of the story of his life, which I’m composing in all my fanfiction, but it can stand on its own, too. I’ll still consider whether this story is suitable to be posted on any Remus or R/S community. Any comments will be treasured.




A Gift




He pulled the frayed cuffs of his two shirts over his hands, folded his arms and huddled in the corner of the bench. If he was supposed to walk around the Latin Quarters all through the coldest hours of the night, his legs needed some rest. It was still dinner time and he already felt that sleep could overcome him at any moment. He had stayed up for too many nights and hardly got a chance for undisturbed sleep during the days either. It was getting too cold to lie down outside even in sunshine, and there had been more rain than sun lately. Now the sky was clearing up, but that foretold an even colder night than the previous.

Cold. The cold filled his mind, as it had caught a permanent hold of his weak body. He barely even thought about food any longer. Having gone hungry for such a long time that the rare occasions when he got a bite of something mainly led to increasing pain in his stomach, he hardly dreamed of a warm meal. Warm, yes. Just a warm cup to hold in his hands. And a warm place to lie down and sleep. Just sleep.



I recognized him from a distance, before I had finished crossing the Pont Neuf. I may have laid my eyes on Remus’s sleeping face only a couple of times before, but I had examined it carefully at any such opportunity.

At the first time I had started suspecting that he shared my condition. Later I had felt pity for his physical frailty. I was never exhausted like him after the full moon. If I had been, I wouldn’t have come to attend the lectures. But he had been an extremely conscientious student and genuinely interested in the history of both magical and Muggle art, too. When we had shared our secret, and I had advised him to have a rest for a couple of days after the transformations, he had grinned and confessed that he could sleep better in the lecture hall, which was warmer than the room he had rented.

But that had been during the previous winter. I had not seen him after the spring term. He had said that he might not continue the studies, since his scholarship would not be extended for another year.

I was so startled to realize it was him sleeping on that bench and even without a jacket that I stopped and just stared at him. His beautiful face was thinner and paler than ever, and his hair, now almost shoulder-length, was probably rather dirty, as it hardly shone golden brown in the light of the streetlamp.

Although I felt like rushing to him, embracing him inside of my coat, and taking him quickly to my bed to warm him up, I found myself hesitating. I knew he would be embarrassed to let me witness his destitution. He had never asked me to visit him in his room, and he had never agreed to come to my apartment either. We had only spent one night a month together in my cellar, and he had always insisted on returning to his place in the morning – even if that had caused inconvenience to me, too. I had, in turn, insisted on accompanying him all the way to his building, as I had been afraid he could have collapsed of exhaustion on the way.

Seven months, seven full moons we had shared, before I had lost contact with him. My heart was overflowing with joy at the sight of him, and I knew this time he would not be able to reject me.

I did not have to wake him up. Just when I moved to walk up to him a group of young boys passed me, heading towards his bench. One of them kicked him on the legs before they continued their way laughing. So I saw him open his eyes, and by the time I was standing in front of him, he did not look alarmed.

There was actually a rather dazed look in his amber eyes. No sign of the grief I had always read in them before. He shivered and stared at me for a moment. When I said his name, he moved slightly to sit up straight, and he let out a vague sound of astonishment. He even responded to my gesture by reaching out his hand. I took it in mine and sat down beside him. The hand was terribly cold, and I was sure it wasn’t the only cold part of his body. He was hardly able to talk and seemed to concentrate on attempts at concealing his awful state. And I found myself helping him to do that, asking questions which he could answer by nodding or shaking his head.

He shook his head, when I explained that I was on my way to have dinner at a nearby restaurant and that he had to join me. But I insisted and mentioned in passing that it would be my treat, as it was my idea. Soon enough I simply pulled him up, holding his both hands, and I took him with me, wrapping my arm casually around his shoulders. In my other hand I carried his battered briefcase.



Remus allowed Jean to help him. He doubted he would have been able to stand up without those strong arms, which so unexpectedly had appeared to support him. Having been startled from his sleep, which he had evidently not managed to fight, he was not quite sure if this friend had actually woken him up. No, Jean did not ask why he had been sleeping there. Anybody could sit down on a bench for a while; there was nothing suspicious about that. But Remus did not dare to try to talk. His voice would certainly have trembled, if he had succeeded in uttering even a single word. He was now so cold that he felt nothing could warm him up ever. Still, Jean’s hand squeezing his had caused a faint notion of pleasure in addition to pain. He could not resist when Jean guided him somewhere. It had to be a warmer place.

The first waft of warm air and delicious smells made him dizzier, but Jean walked him across the restaurant and made him sit down on a red velvet sofa behind a table. He could not help continuing to tremble, and the change of temperature caused him pain, first in his fingers, which had been mercifully numb. Yet, the warmth around was already soothing his mind, at least. His first instinct was to curl up on that soft seat and just sleep.

But he slowly lifted his gaze from the filthy knees of his trousers to the glistening cutlery on the pure white tablecloth and finally to his friend’s dark bearded face. Jean was staring at him, which was probably natural. But there seemed to be more than shock and pity in the expression. The smile, though characteristically wide, was rather embarrassed, whereas the brown eyes twinkled with something that looked like pure joy.

Remus knew his own face had to be quite blank. He could have ventured to say something now, but he had no idea if Jean had just asked him a question. Maybe it would have been fair to simply thank his friend, but that would have sounded sentimental, pathetic. Then again, he was pathetic, wasn’t he?

Before he could make up his mind, Jean had turned to look around, evidently in order to gesture to a waiter.

“Is it all right, if I order for you, too? I know what to recommend…”

“Jean, I can’t…”

Remus was interrupted by a description of meals, which made him ever dizzier, but he would hardly have been able to continue his phrase in any case. He felt increasingly uncomfortable, and it took him a moment to realize that besides his embarrassment, the ache in his stomach was intensifying, too. He glanced around almost in panic and noticed the door to the men’s room not far from the table.


At least he had saved them both from the waiter’s expressions of contempt and disgust. Jean had probably not heard his whisper of excusing himself, and he had not looked back, but staying away for a while would certainly not be too alarming. Fortunately it was possible to lock the door. It would have been just like Jean to follow him.

Remus was sitting on the toilet lid, with his eyes closed and clenching his stomach. There was not much he could do to get rid of the gas inside to ease the pain, before eating a little bit first. He would have to return here soon at least to belch. Gradually the prospect of a warm and even delicious meal started to fill his mind with simple joy. Opening his eyes he caught a sight of himself in the large mirror. He walked across the room to lean on the edge of the basin and gazed at the image for a moment. It was no surprise that he looked absolutely awful.

He did not have to decide to clean himself up particularly in order to look a bit more decent at dinner. At any opportunity, whenever he got to use a bathroom, he would do it. Unfortunately his briefcase had stayed by the table where Jean must have placed it. Because of this special occasion, he could have even used his wand to achieve an illusion of a neat appearance, although the effect would not have lasted long. Above all, he wished he could have used his razor. He hated his own facial hair; since his adolescence he had been determined to emphasize the contrast between his two forms.

But the basic essential routine was to get washed the best he could, so as to at least decrease the stink, which almost made even him feel sick. He had not had a chance for this for several days. Without any further thought he took off his three shirts all at once and separated the ragged t-shirt from inside the others. Carefully stopping the water from spreading too much, he washed the armpits of the t-shirt with soap, wringed those parts out, and spread the shirt on the radiator to dry at least for a moment.

He had tried his best to ignore how much more being half naked made him suffer from cold. The cold was, in any case, somewhere so deep inside of him that even the warmth of the restaurant and this heated bathroom had not relieved him from its grip. Only now did he glance at his reflection again to register the state of a couple of the wounds he had inflicted on himself during the previous transformation. He must have been too weak to perform the healing charm properly. The gash in his left upper arm, at least, had clearly got inflamed, probably because of the dirt. Rejoicing in the touch of the warm foam he washed his face, arms and chest carefully and dried himself with tissues. He sneezed several times and was happy to be reminded to stuff some tissues into his trouser pockets. Unfortunately there was nothing he could do about the trousers.

He decided to wash his feet, though. Having taken off his broken shoes, he considered if he should have thrown away the socks, which were more of hole than anything else. But he ended up washing them carefully and placing them to dry on the backside of the radiator, so he would be able to fetch them just before leaving the restaurant. He was gradually getting impatient and starting to wonder if the waiter had already brought the food. Still, he realized that this was a rare opportunity for washing his hair as well. He could possibly stay inside long enough for it to dry.

Finally, when his hair was only slightly dripping onto his shoulders, he pulled on the still damp t-shirt and the two other shirts, which had definitely seen better days, too. By folding the sleeve ends he achieved a bit neater look, and he grinned at his reflection, relatively satisfied.


When sitting down opposite to Jean, he determinately wore the same grin. Yet, his friend looked clearly worried.

“Are you all right?”

Remus had decided it was less embarrassing to be frank, as it was quite obvious what had delayed him – or at least he hoped that Jean saw some difference in his appearance.

“Great, thanks. Better at least than for quite some time. Let’s say I really made use of the bathroom.”

“You’ll feel even better after this meal.”

“It must be… delicious. Thank you, Jean. But I tried to tell you… I can’t eat a lot at once. I hope you’ll excuse me after a while again.”

Surprised by his own ability to talk so fluently and even honestly, he settled to enjoy the meal in his best civilized manner, which he had seldom practised since he had left his parents’ house. Still, he could not resist the temptation of cupping the soup bowl with his hands for a moment. A fancy three-course dinner was certainly a lot more than what he needed, but starting with a soup allowed his stomach to adjust to more solid food gradually. In his contentment he found himself chuckling at the thought that his insight into starvation, based on long-term experience of various degrees thereof, helped him control the primal urge to wolf down everything he could reach. After another visit to the men’s room he was able to eat almost half of the second course, too.

Little by little the warm meal seemed to thaw out some parts of him which had been freezing longer than he could remember. But he kept being shaken by frequent shudders, and he was afraid there was a high fever developing in his body. Besides, the saturation turned into new drowsiness to complement his extreme fatigue. After once leaning back and closing his eyes for a moment he realized that he absolutely had to refrain from doing that, unless he wanted to leave Jean in an even more embarrassing situation than what they had already shared.

Jean, too, was eating slowly. He was narrating pleasant incidents at the Sorbonne Enchanted Art Academy, memories of the two terms they had studied together, and events of the new term. His stories were getting more and more hilarious and even absurd, as if he had realized that he had to try his best to keep Remus awake. Was there more to it than an easy topic and avoiding uncomfortable issues? Remus was inclined to believe it was all simply a gift, a chance to escape the cruel world for a moment.

A gift like the pudding, which Jean ordered as a surprise. He remembered, of course, Remus’s craving for chocolate, especially as solace in the depression after the transformations. The delicately prepared dish was like a piece of art, too. Admiring it, anticipating the blissful taste and doubting that he would be able to finish the portion, Remus felt tears brimming in his eyes. The tears he had fought back all through the weeks of ultimate privation and desolation.

Jean loved him. This gift, as such, could have been given by anyone with human compassion – or an urge to brag of wealth. But since they had entered the restaurant, maybe since they had met in the cold of the evening, Jean’s eyes had been shining with tenderness, and even more than that with simple joy at having found Remus. That familiar gaze reminded Remus of how Jean had always taken care of him, communicating gratitude for his sheer existence and asking for nothing else in return. Remus had, indeed, given nothing in return. He had never agreed to any intimacy, physical beyond the monthly desperate embrace to bear the transformation pain, or even mental, beyond the interaction in developing their personal theories of art.

But Jean had loved him for a long time. The insight hit Remus painfully. It threatened to break a dam, to let loose the memories of his school years which he had refused to share with Jean. The memories he had left behind in England. The nightmares he had escaped only in the absolute misery when even the thought of hunger had been overpowered by the primary fear of freezing to death. Now he had been saved again and brought back to the guilty awareness of having survived alone.

And he had been condemned to bitter solitude. He could not possibly accept Jean’s love.



For the following days I was to mainly watch him sleep. Having almost carried him – not a heavy load for my muscles – from the restaurant to the border of the hidden quarters, and having entered as usual through the gateway in the bushes behind the statue of Saint Genevieve, I took him to the fireplace of the first café and through the floo network straight up to my studio apartment. He was sound asleep by the time I laid him on my bed, and I just tucked him in.

I didn’t even suggest a proper bath until after a couple of days, when his fever had started to decline. Fortunately, however, I urged him to let me help take off his filthy clothes the first time he woke up, so I discovered his inflamed wounds.

That’s when I started suspecting that he had deliberately neglected to take care of himself. I had noticed how he had done his best to tidy himself up before the dinner, but now I doubted he had done it for his own benefit. I know it’s not too difficult for a werewolf to end up destitute, but his wits would have rendered it possible for him to cope somehow, had he truly willed to.

Now he allowed me to tend his wounds, to dress and to feed him. He agreed to stay under my roof. All the while I had a nagging suspicion that it was not his genuine desire to be helped. He did it for me – so as to thank me for my help. But that didn’t make any sense. In case he had wanted no help in the first place, I hadn’t given him anything. I had just been selfish.

I had to admit to myself that I had wished he could have become my permanent mate. I had even hoped that his destitution would have almost forced him to. But I realized that I was ready to give up. I would love him regardless, and all I wanted was to know that he would take care of himself or let someone take care of him, so that he would be in as little pain as possible.

I was getting confused and I needed him to help me sort out my thoughts. During the first weeks he was uncharacteristically quiet, but when gradually reconciled to the comforts I offered, he started indulging in discussions like during the previous winter. He still avoided all profoundly intimate issues. Yet, talking to him always guided me to deeper understanding of my own ideas. All conversations beyond daily routines were seemingly limited to theories of art and philosophy, but such topics, indeed, encompass life. Therefore, as time went on, I learnt to interpret his person, as well as myself. Still, I wondered how different his interpretations were. Only months afterwards did he say something explicit about himself.

Yes, I did manage to make him stay for five months, until the spring. Having regained some health, he enjoyed long walks around Muggle Paris. He seemed to feel trapped, if he stayed too long within the borders of the hidden quarters, not to mention inside the apartment. So I gave him warm Muggle clothes, too, but I warned him against staying outside drawing anything but quick sketches. He mainly obeyed me. His visual memory was, indeed, so extraordinary that he hardly needed to make any sketches of his first impressions. And he didn’t mind staying in the apartment for days when he was working on a landscape. After agreeing to use freely my equipment and materials he seemed to heal more quickly in every respect. While painting he never looked trapped.

Still, his face was often in thoughtful frown when I watched him at work. I would steal a glance at him from my lazy position on the couch, or from behind my easel when secretly sketching a portrait. The pale winter sunlight, filtered by the persistent clouds and streaming in through the large window of this combined home and atelier, would turn his hair into a halo around his face. I had to be content with some healthy colour on his still not too plump cheeks.

Sometimes on the windy slopes of Sacré Coeur when submitting to my shelter against the cold, he would flash an almost tender smile. But soon he would discreetly pull even his hand away from mine and walk briskly with his hands in the pockets, although he had good gloves. He’d turn the most frivolous topics into caricatures of philosophical arguments, and crack jokes about his supposedly poor French, while we both knew it was better than mine. He’d force me to stop and listen to every busker, and leave it for me to toss them some change, although I made sure he always had some money in his pockets, too. He’d show me places where to spy on people, and come up with crazy suggestions for my paintings. Why didn’t I portray this outcast lady, huddled in a corner of the south façade of Notre Dame, as the priest on the altar? Or those under-aged girls, freezing in their miniskirts – why not show them on their knees, begging to be raped?

His art, however, was serious and never blatantly provocative. At its best it was powerful or delicate in expression. Some scenes conveyed utter desolation, while others were simply pretty. But towards the spring he produced some incredible pieces. Raging elements with a haven of peace in a most unexpected place. I could just hope that his own interpretation was that the fortress would hold. Or maybe that its defender could step out and calm the storm, or cope.

He never painted portraits. Having learnt this during the previous winter, I didn’t press the issue, although I felt he was limiting himself unnecessarily – or for a reason.

Instead, I did not give up before he agreed to hang a selection of his watercolours and oil paintings in one of my exhibitions. But I suppose the audience who came to see and buy my exaggerated renditions of sadism, paying ridiculously high prices for them, were not the people to appreciate his art. However, he sold some pieces on the street, and he insisted on handing the money over, if not to me, at least to our common use in the household. When he left, he gave most of his paintings to me to keep or to sell, as I would choose to. As long as he stayed, we shared everything and never calculated the money we spent on each other.

Sharing everything was such a blessing to me that I wondered how we could have restricted it to the nights of the full moon during the previous winter. The transformations became so much easier now that we prepared ourselves for them together and tended each other’s wounds.


After finding out that I was a werewolf, too, Remus had first been utterly scared to continue to interact with me in any way, not to mention spending the full moon together. It had taken me almost a month to convince him that I had good experiences of transforming with another werewolf who also sought to control the aggression.

It’s true that I may not appear as the most peaceful person. I allow myself to lose my temper at any time of the month. Born among werewolves, bitten by the leader of the pack as an infant, and raised by my bitten mother, who secretly kept me away from the rituals and actually abandoned me by making me escape from the pack alone at the age of ten, I have been forced to use my aggression so as to survive. But these violent tendencies have carved their own routes in my life, so as to prevent frustration and to actually help me fight the fatigue, easily caused by the monthly extra burden, as well as face the pain, which I can never escape. I mainly channel the aggression to my art, which may look even artificially expressive with the condensed destructive emotion. I play with the colours and the twisted shapes, and at full moon I play like a pup, not like a monster. But before Remus became my teacher in controlling the beast, the pup could not help – and did not really mind – hurting himself and others.

At the very beginning of our acquaintance, my outbursts must have made Remus inclined to dislike and avoid me, but I don’t give up easily when I know what I want. And I had wanted to become his best friend from the moment when I had perceived the unyielding grief in his eyes – as well as his considerate support to everyone else even in the slightest trouble.

That had been before I knew about his lycanthropy. Having stared at his sleeping face on that day after October full moon – and noticed the new scars of magically healed wounds on his cheeks – I had felt overjoyed both on his behalf and mine. It took me quite a while to realize that lycanthropy was not his only tragedy. Helping him turned out not to be so easily achieved by simply inviting him to make me happy.

I’m amazed that he never comprehended how much more he had always helped me during the transformations. A few years earlier he had found a way of coping, with the assistance of an animal companion. He had soon asked me if I could consider taking a cat as a pet. Only afterwards did I realize that he had not managed to do the same and to thus make sure that he would always have such an animal with him whom he was intimate with. The reason had been simply that even when he’d had a place to stay – and because he’d had it and spent almost the whole of his scholarship on the rent – he hadn’t had enough money to feed a cat regularly, or at least not properly enough according to his standards, so that he could have taken the responsibility for a pet. He had kept some birds, though. And he had explained to me how their company, especially during the last moments before the transformation, helped the wolf’s mind to calm down, even if purely human control was lost.

So I had taken a cat during that previous winter. Before that our shared full moons had ended up as rather violent wrestling. And at the first time, after transforming back, Remus had left me without a word, when I had explained what I remembered about the night. Now I know for sure that he had decided not to break up our friendship but to come back to my cellar after four weeks, only in order to help me. With a bird and later my cat in the company, we had gradually learnt to harm ourselves and each other less and less.


Now when sharing everything for five months, we – as wolves – inflicted wounds on each other only by accident during friendly play. But Remus was still unwilling or unable to talk about what we could half remember, half only imagine about the events of such a night. He was always utterly depressed in the aftermath, no matter how well we had managed to repress all destructive tendencies.

On the morning after March full moon, when we had just come up to the apartment and healed the scratches on each other’s body, I allowed my irritation to burst out.

“How long are you going to brood over the fact that you’re a werewolf! We are in excellent control of it. We enjoy these nights! What is the matter with you? You never tell me what bothers you. You never tell me anything about yourself! I do everything to make you happy, and you continue to behave as if you still had some mysterious tragedy in your life!”

He stared at me for a moment and slowly started to get dressed. I kept shouting at him and tried to stop him, when he turned to open the door. But he took the cloak and said: “See, I’m taking this, so I’m not going across the border. Just for a short walk.”

I knew that after the transformation he was always too weary to walk more than a short distance. “Only around the quarter? Please!” I whispered.

My anger had suddenly died and been replaced by concern. But he was already gone. Fortunately he came back before I had time to get dressed and to go after him. After taking off the cloak he threw himself to sit on the couch by the fire and asked calmly: “Do you want me to tell you why I am permanently sad?”

“Yes,” I said, sitting down at his feet so as to trim the fire.

Staring at the flames, and slowly, pausing to smile every now and then, he launched into storytelling. I first got the peculiar impression that he was inventing the tale along the way. Then it occurred to me that he was either wording it for the first time, or he had forgotten the words and was now struggling to remember them.

“Once upon a time,” he started, “there was a wolf, whose three best friends were a stag, a rat and a big black dog. The dog must have been his dearest friend of all. For various reasons. As you know…”

At this point he glanced down at me and whispered in a strange stifled voice: “I never wrestled with any wolf, before I met you. But it was somehow easier to play like that with the dog than with the stag or the rat.”

Resuming the relaxed rhythm of the tale, he let me know that those three friends had become Animagi in order to help him stop harming himself so badly. They had succeeded in it when he had been almost sixteen, and they had all already been best friends for over four years before that. He described those boys, their looks and their characters in detail, as well as their shared adventures. Leaning against his legs, I started to gaze at the fire, too, rejoicing in his eloquent, tenderly humorous narrative. Until I realized that his soft voice was wavering, and glancing up I saw his face all wet of tears.

I was ready to hear a typical story of betrayed love, but he went on to describe the civil war, which had plagued the British magical community during the years of his early adulthood. He recounted his parents’ cruel deaths, but through tears he continued without pausing any more. Until suddenly it was The End. The end of everything, except of him alone. I could hardly grasp it. Before realizing what I was doing, I gasped out: “What?”

He had curled up on the couch and covered his face with his both hands. But startled by my voice, he moved, bent close to me and, gazing into my eyes, repeated: “My friend Sirius Black murdered Peter, James and Lily.”

A strange smile appeared on his lips for a moment and he nodded, as if confirming that he had done his duty. And instead of turning his eyes away from mine, he closed them. He started to tremble and returned to the foetus position. After that he didn’t move or make a sound until the evening. I don’t know if he heard what I said to him, or if I said anything that could have made sense. I don’t know if he felt my touch, or if I should have even tried to comfort him.


That day when staying beside him I came to understand that his revelation was a gift to me. He did not confide in me because of any urge of his to share his tragedy with someone. Instead, he forced himself to allow the grief to overwhelm him again – after four years – in order to be able to reveal it to me, only because I yearned to know him better. I felt so guilty. What pain I had caused to him by disclosing my love! My only consolation was that he might have needed to confide, though he had not admitted it to himself. Maybe it could do good to him eventually.

But I felt hopelessly trapped when I watched him in such pain. If I should manage to comfort him with my love, would he feel forced to give me something in return again? And would that something have to be his hurting himself?

He was the one in a trap. He was too good. The only way to live he knew any longer was to constantly sacrifice himself. Any interaction he submitted to, and particularly sharing the full moon with me, was merely a sacrifice for my benefit. While he evidently was inclined to help anyone in need, he felt especially obliged to do something for me. Not to thank me for anything, since he had not wanted anything. But because of my love for him.

Did he still feel that love was something that needed to be returned? Life itself was a burden for him; he carried it like a cross. And the only way for him to approach peace was to give up satisfying his basic needs.

I remembered the daze in his eyes when I had found him freezing on that bench. He had been happier at that moment than ever during the previous year. By accepting the food and shelter I offered him, he actually condemned himself to life again. To the awareness of his past and future. He had no hope for the future.


I dare assume I had at least a tiny role in gradually teaching him to enjoy the simple pleasures of the present moment. He had started learning during the year we studied together, but he had not been aware of it yet. And when he had realized it, he had escaped it – insisting on torturing himself. As if the monthly ordeal had not been enough.

The revelation as such might or might not have helped him to start recovering. It was not easy for him to accept the fact that he had been meant to survive and thus meant to continue to live. By loving him I perhaps forced him to receive some basic things to satisfy his needs, when he hardly had any will to satisfy them. I may have reminded him of how he had enjoyed simple things since his childhood, when life with its wonders had opened up for him, regardless of the repeated unavoidable pain. Maybe he realized again that life as a whole – as well as my humble love specifically – was a gift which he simply had to receive by cherishing any pleasures available and by allowing them to sooth his suffering mind and body.

Still, he had to reject my further gift, a comfortable life with me. The pleasures had to be few and far between or extremely modest for him to accept them. And I had to content myself with that.


So he left me to go drifting. When I could trust that he would be good to himself, I managed to give him the impression that I didn’t desperately need him to stay. That’s how I set him free. He promised to come and see me some time. And he promised not to starve or freeze to death. There would be people offering him what he needed to survive, he said. Not so many like me, but some who would help him in hope of something in return.

“But you gave me something in return, too,” I said, “something that hurt you so much that only a saint would make such a sacrifice.”

“Don’t flatter me. And you did not love me in hope of anything.”

“I hope not. At least since the gift you gave me in return, I’ve prayed you won’t ever try to give me anything else.”

“That’s why I’d better leave. But I’ll be back some day. To continue these incredible discussions.”


So he was gone. And each of us was alone again at full moon. I wasn’t for long. I needed a companion. But I knew he would find satisfaction in the struggle of controlling his mind on his own, even in the failure.



The trunk of the old elm tree was smooth, and it supported his tired back, as if it had been formed perfectly to offer comfort to him. Remus sighed in contentment and smiled at the wish that the tree could have sensed his gratitude. He stared up at the amazingly familiar shapes of the branches, which could still be discerned faintly against the darkening evening sky, and he almost welcomed the memory of the lane leading to his childhood home – or leading away from there.

He opened his briefcase and took out his wand. Elm and dragon heartstring. How could he even pretend to forget, or claim that he did not belong to a family? The trees on all his fathers’ lands. The courage of all his mothers’ hearts. He might have lost them, but he carried the reminiscence and the remaining strength.

He might not have become the most powerful or the most fortunate wizard, but he had learnt some magic of comfort at least. Reaching for the battered kettle, which he had filled from a brook just before finding this perfect shelter, he tapped it twice. He took out a mug and a small loaf of bread. Soon, cupping the warm mug in his hands, he smelled and tasted oil of bergamot in his favourite tea.

When he had finished enjoying his meal, the last glow of the day had been extinguished from the sky. He packed everything in the briefcase, except a quilt, which he had returned to its original size by breaking a shrinking charm. With the briefcase as his pillow and wrapped in the quilt, thanking Jean for his gift, he curled up to sleep.

But he still turned on his back and peeked at the sky through the branches. It was new moon, and the stars were bright. Without anguish, with melancholy tenderness he wondered if the Dog Star was twinkling above. What had he read about stars in the Muggle science books? He was now receiving the light which they had sent towards him ages ago.

And his heart was filled with gratitude for another gift he had, after all, received after volunteering to share his grief. What had Jean said about his loss and his love? Remus might have lost Sirius, like he had lost them all – and worse: lost the love and the trust, when his dearest friend had turned out to be a traitor and a murderer. But he knew that the love had been there once. He was quite sure. Ages ago Sirius had loved him, loved them all. While holding to his remaining strength, Remus was still receiving a reminiscence of that love.




The End






(Post a new comment)


[info]minnow_53
2005-05-24 05:43 pm UTC (link)
You are going rather beyond here, so it's hard to comment. This is your character, your story, even if the past isn't all yours at this stage: but you're creating a new past.

The writing is powerful and evocative, as you know. Not dreamlike this time. Awfully solid. (That's my biggest compliment, together with 'dreamlike', of course.) Very tactile, very realistic: almost too realistic at times, with the detail of the men's room. You can almost smell it, too.

I love the idea of another werewolf. I love the description of the restaurant: you know, I was actually there. Incredible. The atmosphere, more even than the detail, but of course that's the main thing. The emotions.

Now, you've done this as a two-hander, which is a form I'm particularly fond of. It would also be interesting to see it a) only from Remus's POV b) only from Jean's. A lot of work, but what a story you'd have, if you were up for it. Like Remus in the loo filling in the part where Jean is waiting at the table, crumbling his bread, wondering if Remus has climbed out the window...

Though this is complete in itself, the gaps could be filled without your losing any artistic integrity. This is awesome, make no mistake, but it would be amazing to see the other sides more completely. Though not necessary, I hasten to add.

^_^xx

(Reply to this) (Thread)


[info]paulamcg
2005-05-24 08:50 pm UTC (link)
Thank you so much for being there for me again – even when you had to follow me “beyond”! A discussion with the Dark Twin just made me realize that not everybody (and perhaps few people among those interested in Remus and Sirius’s love) are interested in added “territory”, which I tend to have even in my short pieces (like I Don’t Dream).

I’ll treasure the wonderful words you used to describe my writing here. I certainly didn’t expect such amazing feedback. While a lot of readers (relatively speaking, even some outside the group of my regular reviewers) gave me detailed positive feedback on the original version when I posted it on the Snitch, and even some readers on FA praised it, I also got rather harsh criticism from some others, who tried to show me that the first person should never be used at all because it’s so prone to excessive telling. You already know that I didn’t believe them. Instead, I developed the first-person style I use in my recent stories (mainly in Sirius’s voice.) It took me seven months to see – or to stop and try – how I could improve this story on the basis of some of the concrit. The biggest change is the addition of the two paragraphs after “While painting he never looked trapped.”

When commenting on Xellas’s “Falling” – which could have been criticized for lack of showing – I said that she had offered us abstract analyses of emotions and left details of interaction between the characters for the readers to imagine. Perhaps I’ve discussed this with you before. It seems to me that “Show Don’t Tell” prevails as the rule, because readers (or writers who’ve been taught this one-sided principle) want verbal art to be like film: showing us only the concrete and objective, and leaving the rest up to the reader. Xellas said she was happy that my view wasn’t that the story left the reader unsatisfied. I said I believe we actually should leave the reader unsatisfied in one respect or another. The readers have their active roles to play as interpreters – and also adding something to the story. Now I’m getting to your comment…

It’s fascinating that this story makes you desire to see a more complete picture – to see each part from the other perspective, too. I’m happy you hasten to add that it’s not necessary I give you more. Don’t you think you can complete the picture by yourself? You have actually made a wonderful start of even telling me how you fill the gaps I left. I had not thought of Jean crumbling his bread, but now I can see it and I’m ready to believe it’s a part of the story.

There are, of course, some quite bold and unconventional choices I made, particularly when deciding to show so little about the two winters from Remus’s perspective. I could actually have written a whole novel about his time in Paris.

Thank you once again for telling me so soon that you enjoyed my story. And I’m sorry I couldn’t resist rambling!

Oh yes, one more comment. It seems that posting a fic on my journal is a good opportunity to continue editing. When I see the text with a new line division I tend to notice more details that can be improved. I can also confess that this story has never been beta read, so I’ll be extremely grateful for any nit-picks.

(Reply to this) (Parent)(Thread)


[info]minnow_53
2005-05-25 05:49 am UTC (link)
It seems that posting a fic on my journal is a good opportunity to continue editing.

I've got to rush off for the school run soon, so I'll just answer this quickie for now: yes, it is, isn't it? I've started putting a final version of a fic on my journal, locking my entry so nobody else can see it, and doing what should be the last edit like that! Mind you, there's always something else... But it's amazing how clearly the flaws show up.

^_^xx

(Reply to this) (Parent)(Thread)

(no subject) - [info]paulamcg, 2005-05-25 03:59 pm UTC
(no subject) - [info]minnow_53, 2005-05-25 04:06 pm UTC
(no subject) - [info]paulamcg, 2005-05-25 05:35 pm UTC
(no subject) - [info]minnow_53, 2005-05-25 06:05 pm UTC
(no subject) - [info]paulamcg, 2005-05-25 07:01 pm UTC
(no subject) - [info]minnow_53, 2005-05-25 08:24 pm UTC
(no subject) - [info]paulamcg, 2005-05-25 08:55 pm UTC
(no subject) - [info]minnow_53, 2005-05-26 06:08 am UTC
(no subject) - [info]paulamcg, 2005-05-26 08:23 am UTC
(no subject) - [info]minnow_53, 2005-05-25 06:15 pm UTC
(no subject) - [info]paulamcg, 2005-05-25 09:38 pm UTC
(no subject) - [info]minnow_53, 2005-05-26 10:57 am UTC

[info]sasha_davidovna
2005-05-30 12:54 am UTC (link)
I've been meaning to come read this since you posted and finally managed it. Sorry it took so long!

There is so much interesting food for thought here. I love that about your work - you've thought everything through so thoroughly that it feels real, even if, in this case, my own beliefs about the Lost Years are quite different. (As you may remember from the discussion on the Wolfstar, I'm one from the trading-DADA-skills-for-food-and-shelter-in-the-Third-World school of thought.) I especially enjoyed the suggestion you give of werewolf society - I'm a total sucker for that sort of thing. :) The depiction of grinding poverty seems almost painfully realistic to me. I've been comfortably middle class all my life but this is what I imagine it to be, and rings true with descriptions I've read from, for example, survivors of the siege of Leningrad. Keeping a pet to help ease the transformations is a very interesting idea that I don't I'd ever thought of before, but when I saw it here, it made perfect sense. I know many breeding stallions, particularly from breeds where personality isn't considered important like the racing Thoroughbred bloodlines, have animal companions to calm them and keep them more tractable. I've heard of cats, goats, dogs, pigs, even geldings. And of course Remus would know about that effect even more than most.

I think you did an especially good job of capturing Remus's mental state here: the misery of poverty fighting with pride, affection and strength of will fighting with past betrayal and feelings of worthlessness and survivor's guilt. In particular, this bit hit me rather hard:

That’s when I started suspecting that he had deliberately neglected to take care of himself. [...] I know it’s not too difficult for a werewolf to end up destitute, but his wits would have rendered it possible for him to cope somehow, had he truly willed to.

Very real, and realistic, sense of depression in those lines, and I have to say I wish I didn't have the experience to know that! (I've never been that bad - mine tends to be hormonal and easily gotten over - but I've had friends who were.) The sense of hope is strong too though, particularly at the end.

And his heart was filled with gratitude for another gift he had, after all, received after volunteering to share his grief. What had Jean said about his loss and his love? Remus might have lost Sirius, like he had lost them all – and worse: lost the love and the trust, when his dearest friend had turned out to be a traitor and a murderer. But he knew that the love had been there once. He was quite sure. Ages ago Sirius had loved him, loved them all. While holding to his remaining strength, Remus was still receiving a reminiscence of that love.

~happy sigh~

(Reply to this) (Thread)


[info]paulamcg
2005-05-30 01:23 pm UTC (link)
Are writers and readers supposed to evoke happy sighs in each other? That’s what’s happening here in any case.

I’m thrilled my story can feel real even when the reader has already built up different ideas of the character during the same period. Actually, my Remus is to spend some time in the third world trading his skills for food and shelter. I think he’ll teach English to Namibian refugees in Angola in the late 1980’s, but perhaps he’ll encounter some dark creatures there, too. He must have studied some Defence – including dark creatures – after Hogwarts, although so far in my stories I’ve mentioned only Health, History of Magic and Art studies, saying that Defence was not his only or even preliminary expertise. I must have said in the Wolfstar discussion that my own background makes it natural for me to believe that he didn’t limit himself to one field during the approximately twenty years between studying and teaching at Hogwarts.

It feels good to know you liked the reference to the werewolf community, too. When editing I changed that part a bit to fit my current idea that a child is never born a werewolf – whereas a child can grow up with the identity of a werewolf. Unfortunately my Remus avoided werewolf packs (until after OotP), so there won’t be much about other werewolves in my pre-OotP stories.

I’m particularly happy you found my portrayal of poverty both convincing and evocative, as this topic seems to be my obsession. (Poor Remus!) My insight is partly based on experiences of some people I’ve known more or less intimately.

I find it surprising if nobody else has made Remus resort to the company of animals during the transformations. Of course, it can be argued that the human minds of his Animagi friends had the decisive influence on him, but JKR does tell us that werewolves don’t harm animals. What you say about breeding stallions is news to me, and I’m grateful for the information.

Finally, thank you for praising the way I captured Remus’s mental state. I suppose it was quite unconventional (or perhaps too conventional, old-fashioned in the eyes of those who want to see everything in the way film shows things) to leave so much for the other viewpoint character to explain as his interpretations of Remus’s behaviour. I’m glad you seem to have felt there was enough concrete evidence of the depression. The hope was shown in Remus’s simple acts and thoughts at the end.

Thank you so much for reading this earlier story. Your thoughtful review made me feel it was certainly worth editing and publishing again.

(Reply to this) (Parent)


[info]insight2
2005-05-31 04:13 pm UTC (link)
Hi! First of all can I just say that I really like your icon! Remus (it is someone-who-is-supposed-to-be-Remus, right?) smoking and reading, shaggy-haired and thoughtful, is very attractive. Also, I read this fic two days ago and didn't get the chance to review, so if my review sounds like its wandering that's why.

The fic you have written is very realistic. The fact that Remus had to get himself cleaned up in the restaturant really displays the poverty he must have suffered. The boys kicking him while he sleeps on the bench is sad, young boys always do go after the weak (The Lord of the Flies).

There is a tragic atmosphere in the fic, a kind of sick/recovering feel that paints Remus' own suffering. Remus physically painting in Jean's studio is an example of that, where he can only create landscapes. That really speaks about Remus' past at least to the reader if not to Jean.

Jean is really like how Sirius would be. The darkness and the quick anger reminds me of Sirius. Does Remus see this in Jean? It doesn't matter if he doesn't, though. Nice fic.

(Reply to this) (Thread)


[info]paulamcg
2005-05-31 05:59 pm UTC (link)
It’s so good to see you here! We must have something in common, as we both love “Ain’t No Bitches” by Minnow.

First of all, I’m glad you like my icon. It was made by on_axis, and it’s the only one I use, in the hope of making people remember me, as I’m still new to lj. The man is actually David Thewlis, but I can’t remember from which film the picture is. He’s not supposed to look like Remus, necessarily. My own mental image of Remus was hardly influenced at all by the PoA film. Instead, the man in the picture looks somehow like me, although I‘m not a male and I don’t smoke – so thank you!

You review is wonderful and not too wandery at all. I’m thrilled you chose the words “realistic” and “tragic”, as I’ve been wondering whether my writing could have something in common with a trend in art history called “tragic realism”. Besides, you took up issues I can’t remember anybody mentioning before.

I’m glad the detail of the boys kicking Remus worked for you. I initially included it only because I didn’t want Jean to wake Remus up, but I hoped it could add something to the picture of his situation. The first-person parts of (the original version of) this story have been criticized for too much telling, at the expense of showing, but I suppose I managed to really show Remus’s poverty in the details of the men’s room scene.

Your comment also makes me believe it was worth adding the paragraph in which I actually showed Remus painting (although I still left the concrete details of his paintings up to the readers to imagine, on the basis of Jean’s rather abstract, interpretive description). Perhaps the feel of recovering became more tangible thanks to this paragraph and the following one, in which he walked around Paris with Jean. It’s rewarding to know that when Jean tells us about Remus’s inability to paint portraits (without understanding it) this detail can somehow function as showing us Remus’s attitude towards his past. Or am I getting confused now?

I hope it’s not disappointing that I left it mainly for the readers to imagine what and how much similarity to Sirius Remus saw in Jean. I can honestly say that I have no definite answer, since I hadn’t really thought about this, before you posed the question. It is possible that Remus was somehow attracted to Jean since they first met, although he didn’t admit it, and he may have focused on what he disliked – so much that Jean became aware of it, as he says. Only yesterday did I start wondering why Remus had stayed around in the Latin Quarters on those cold days of early winter. Perhaps without admitting it to himself he had returned where it was possible for Jean to find him.

As for Jean’s quick anger, one critic on FA told me that his own abstract testimony wasn’t convincing enough evidence of such a personality trait. However, even when revising, I couldn’t think how to include a concrete situation showing his anger before the scene after March full moon. I’m happy my OC characterization was vivid enough for you even to recognize similarity to Sirius.

Perhaps you are not prejudiced against OCs and alien settings in R/S fics, since you like AU, too. I maintain that this story doesn’t contradict canon, and no part of my fanfiction – which is all one consistent story of Remus’s life – does. But this kind of stories are obviously not the most popular ones among R/S shippers.

I must have got carried away more than once… Thank you for the inspiring review!

(Reply to this) (Parent)(Thread)

(no subject) - [info]insight2, 2005-05-31 06:19 pm UTC
(no subject) - [info]paulamcg, 2005-06-01 10:44 am UTC
(no subject) - [info]insight2, 2005-06-01 04:49 pm UTC
(no subject) - [info]paulamcg, 2005-06-02 03:22 pm UTC
(no subject) - [info]insight2, 2005-06-02 06:41 pm UTC
(no subject) - [info]paulamcg, 2005-06-03 08:16 am UTC
(no subject) - [info]insight2, 2005-06-04 03:41 am UTC
(no subject) - [info]paulamcg, 2005-06-04 01:20 pm UTC
(no subject) - [info]insight2, 2005-06-04 04:55 pm UTC
(no subject) - [info]paulamcg, 2005-06-04 05:35 pm UTC
(no subject) - [info]insight2, 2005-06-04 05:58 pm UTC
(no subject) - [info]paulamcg, 2005-06-04 07:57 pm UTC
part 2/2 - [info]paulamcg, 2005-06-03 08:17 am UTC

[info]cecine
2005-06-03 07:52 pm UTC (link)
Oh wow. This was so incredibly beautiful. Gorgeous. Wonderful. You had me spellbound for a full half an hour. (Ish. Not that I took the time.)

I'll come back to review this properly (after I've replied to the other comments as well).

(Reply to this) (Thread)


[info]paulamcg
2005-06-03 10:38 pm UTC (link)
Thank you so much. I’ve felt a bit down today, so it’s been hard to believe in my own babbling, but now you gave me that blissful smile – in more than one sense!

(Reply to this) (Parent)


[info]lisamarie0921
2005-06-05 06:33 pm UTC (link)
Thought I'd spare James witnessing the rest of our conversation. :)

I did friend you, and rude as I am, I didn't even ask first. I was in my husband's office at church, and service was about to start, so I just added you quickly. :) Nice that you friended me back, but my journal is v. boring, so Be Warned. :)

In the course of scanning your journal, I put 2 and 2 together and realized that you wrote "I Am Still the Stray." OMG. I remember that being one of the first stories I read upon discovering that Remus 'loved' Sirius, and I was very impressed. Congrats on the Niffle!

I love good OC's, and as soon as I finish the Snarry I'm reading, I'll be starting to work through your journal. :)

And since you mentioned it, here's some self-pimpage: Mirrors, my Snapefic. On FA. Very small. :)

(Reply to this) (Thread)


[info]paulamcg
2005-06-05 09:59 pm UTC (link)
Oh, you didn’t need to ask: I’d said I’d be happy to see you on my journal. And my f-list is still not too long, so I don’t mind if my friends post a lot about real life, too.

Thank you! I hope my little LLAL period fic was suitable reading material upon discovering Remus’s love for Sirius.

I don’t think OCs are popular in R/S fics. I’ve just recently realized that few people seem to be interested both in R/S and in OCs, perhaps because it’s not easy to develop an OC in a short story while you’re supposed to focus on two favourite CCs.

I took a preliminary glance at “Mirrors” and it looked promising. I’ll enjoy reading about Severus without a pairing. We’ll see how long it takes me to compose a review, while I always end up spending too much time on discussions on lj.

(Reply to this) (Parent)(Thread)

(no subject) - [info]lisamarie0921, 2005-06-05 10:28 pm UTC

[info]framlingem
2005-06-22 05:41 pm UTC (link)
You know, I still love this one. I think it's the first fic I ever read which handled a shift in viewpoint with any grace at all; perhaps (probably!) because of the shift from first to second person, which makes it much clearer.

(Reply to this) (Thread)


[info]paulamcg
2005-06-22 06:44 pm UTC (link)
Thank you! It always warms my heart to hear that someone has seen some grace in my work. During my first fandom year I had learnt to fear encounters with fics full of unclear, frequent pov shifts. In my own writing I used to stick absolutely to one protagonist’s perspective, so that the reader would be able to identify with him without any distractions.

The technique in this fic was, as far as I know, an original idea. Of course, other writers must have used it, but I had never seen it used in fanfic. In Let’s Go Home, Pads I developed it further, using present tense in the first-person parts and past tense only in the third-person parts.

Above all, I’m happy you still love the story, so I can assume it was worth revising and publishing again.

(Reply to this) (Parent)

Liv (from FA again)
(Anonymous)
2005-09-22 03:13 pm UTC (link)
Hullooo
I've read this before! I loved it then too! I really like your writing style- did you write the one in Greece too? I shall have to check. You have a great talent for writing- are you pursuing it professionally?
Something that I find I really enjoy about your writing is that you're not afraid to have faults in your characters and when you do you don't cover them up as so many writers do- they leave you feeling a little awkward but then happy as you realise that this is just a normal person, making your story affect you just that little bit extra. You create your characters so well but in doing so you don't neglect the other parts of your writing.
Fantastic work!
Liv

(Reply to this) (Thread)

Re: Liv (from FA again)
[info]paulamcg
2005-09-22 09:48 pm UTC (link)
Thank you so much for this comment, too, Liv. I wonder if you had read the original version of this story on FA, and if you can still remember it well enough to notice any differences (which I hope are improvements). I understand that readers don’t always review, but sometimes I can’t help almost despairing, suspecting that very few people care about my writing (style).

Your complements are a lovely treat. I’ve never had anything published in the form of a book, except some poetry translations, but I’m planning that after my Remus’s story has been told I’ll focus on a WIP – a fantasy novel – which could be offered to a publisher.

I suppose that “the one in Greece” is my fic “Come Up With Me”, which is both on lj and on FA. (But if you’ve found a story about Remus in Greece written by anyone else, please let me know, as I’ll be curious to read it.) Did you like that one, too, despite the small amount if canon references?

I’m particularly glad you say that my characters are like normal persons. I’ve wondered whether my Remus is too tragic and virtuous, and if especially in this fic both main characters are such good persons that the whole story is too idealistic despite the concrete details of misery. Could you possibly give an example of a fault which made you feel awkward? I always identify with my viewpoint character throughout the writing process, while at the same time I’m perhaps exceptionally conscious of my choices in expressions (perhaps partly because this is not my mother tongue).

Thank you again. Have you written anything about Remus?

(Reply to this) (Parent)


[info]blueberry_31
2005-12-11 02:54 am UTC (link)
I’m sorry it took me so long to comment again. Real life ate me up.

After ‘Let’s Go Home, Pads’ I read this story and again, I enjoyed how you explored Remus’s character. (Oh, hell…I can’t write proper English with this flu.)

After reading it a second time (yes, I read it twice :) ), I found more stuff to comment on. (You really must excuse my English here.)

I like this story because I really feel like I’m in Jean’s shoes, and I’m getting to know Remus through Jean. Although it’s not entirely in Jean’s POV, I get that feeling. And the way Jean cares for and loves Remus……If I were Jean, I like to believe I would do the same.

The way you described Remus’s destitution is heart-breaking. Most fanfics just describe him as living in poverty, dressed in shabby robes, working for a pittance or jobless, and having irregular, measly meals. However, you brought this a step further by describing Remus having to use the men’s room to clean up himself and going without meals for so long that he just can’t eat too much at once. It’s not pretty; it’s painful to read, and it’s so real.

He had kept some birds, though. And he had explained to me how their company, especially during the last moments before the transformation, helped the wolf’s mind to calm down, even if purely human control was lost.

Wouldn’t birds and cats be more prey than company to a werewolf? On the other hand, the same can be said for stags and rats…….It’s not anything important, but just something that I thought of when I read that.

“How long are you going to brood over the fact that you’re a werewolf! We are in excellent control of it. We enjoy these nights! What is the matter with you? You never tell me what bothers you. You never tell me anything about yourself! I do everything to make you happy, and you continue to behave as if you still had some mysterious tragedy in your life!”

This part seems a bit weird to me. Maybe it’s the way you phrased it? The last sentence, especially, seems a bit too…’spot on’. Or maybe it’s just me.

He had curled up on the couch and covered his face with his both hands. But startled by my voice, he moved, bent close to me and, gazing into my eyes, repeated: “My friend Sirius Black murdered Peter, James and Lily.”

A strange smile appeared on his lips for a moment and he nodded, as if confirming that he had done his duty. And instead of turning his eyes away from mine, he closed them. He started to tremble and returned to the foetus position. After that he didn’t move or make a sound until the evening. I don’t know if he heard what I said to him, or if I said anything that could have made sense. I don’t know if he felt my touch, or if I should have even tried to comfort him


I love this part. The way he said it and Jean’s reaction to it….I can see it in my mind and it feels so sad.

I would love to say more but I’m afraid my mind’s blank now. All in all, I like this fic very much, and it that part up there would bring me to tears if the atmosphere weren’t ruined by my constant sneezing.

(Reply to this) (Thread)

part one (whereas part two won't be long)
[info]paulamcg
2005-12-12 05:43 pm UTC (link)
Thank you so much for reading this story carefully – and twice! – and for writing a lovely, detailed review. I’ll try to babble a bit less in my reply this time, so as to spare your eyes. But even though you liked and praised this fic, you took up several details I can’t resist defending.

Yes, whether birds and cats are prey or company for a werewolf is important, and I’m glad you took it up. A lot of people may have interpreted these words of Lupin’s (on page 260 in the British edition of PoA) differently from what is an essential part of my idea of werewolves in the HP world: “A werewolf is only a danger to people.” They seem to think this means only that an animal can’t be turned into a monster through a werewolf bite, but a werewolf will tear an animal into pieces and eat it up. Having discovered how common such an idea is, I’ve decided that in my version most wizards share the same misconception. This is how my Remus explains the issue to Harry, when starting the account of how his friends decided to become Animagi, and emphasizing how profoundly original an idea it was:

“I still don’t know to what extent my tendency to love animals is based on how I was raised – and to what extent it’s inevitable for a werewolf. Yes, I told you, didn’t I? That evening when… I – we – tried our best to explain everything to you. A werewolf is dangerous only to humans, or more accurately: to creatures in human-like form who possess an intellect, or perhaps rather simply a self-conscious mind comparable to ours – however that can be defined. This is not generally known among wizards. Only in the restricted section of Hogwarts library and later among banned books on Knockturn Alley did I find some imperfect and not necessarily reliable reports on animals having survived full-moon nights in the company of werewolves.“

Perhaps the “mysterious tragedy” bit is too much “spot-on”. Now I feel surprised that nobody has complained about this detail before (as I had quite critical reviewers on FA in autumn 2004). However, it never occurred to me that the words could make a reader feel I was deviating from Jean’s current perspective (adding something to the knowledge he could possibly have had at the time he spoke the words to Remus). I think the phrases you quote are in line with the somehow melodramatic style in Jean’s internal monologue. Besides, I feel that it could be natural for Jean to have started suspecting some kind of tragedy, having lived with Remus for quite a long time. Remus may have hinted at something during all those philosophical discussions, even when refraining from saying anything explicit about his own life. In fact I think this is quite likely, as Remus must have had a (subconscious) need to confide. Furthermore, Jean’s words could also be interpreted in such a way that he was simply criticizing Remus for still regarding lycanthropy as a “mysterious tragedy”, even though, in Jean’s view, the two of them were leading a harmonious life despite this condition – and actually enjoying it. However, it’s also possible that Jean distorts the memory of his own words, making them more dramatic, on the basis of his later knowledge. And some readers can find this jarring.

As I said in my other reply to you, I’m thrilled that you could identify with my OC so intensively. Besides, it’s good to know that you enjoyed the way the characterization of Remus was developed.

Don't worry: part two will be rather short.

(Reply to this) (Parent)

part two
[info]paulamcg
2005-12-12 05:46 pm UTC (link)
Above all, I’m happy you seem to have found my “step further” evocative, not unrealistic, albeit almost too painful. Some readers, even such people who know something about street life and admit that my descriptions are realistic, maintain that it’s not plausible that anyone is this poor in the HP world. Myself I’ve always been disappointed with those Remuses who have nice jobs at bookstores even though they were supposed to be “unable to find paid work” (page 261 in PoA). It seems to me that most Remus fans find these issues uncomfortable to face. And if they face them, they exaggerate it all by making Remus a drug addict and a prostitute. At the same time, of course, in some people’s view I’m exaggerating, but I hope my decisions serve some purposes. Here my Remus’s destitution is due to depression rather than discrimination (even though these two issues must be intertwined), but poverty and discrimination (among part-humans and uneducated wizards) belong to the central themes in my fanfiction.

Finally, it’s good to know that the climax worked for you so well. In the original version Jean also said he cried during that day, but I left that out when someone had said it was too feminine. Instead, I wish you could have wept despite the sneezing. It would actually suit the atmosphere in my stories, with all that not-so-pretty wretchedness!

Thank you once again for your wonderfully thought-provoking comments.

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Re: part two - [info]blueberry_31, 2005-12-19 09:12 am UTC
Re: part two - [info]paulamcg, 2005-12-26 02:04 pm UTC

[info]briseis09
2006-09-28 04:38 am UTC (link)
This one was hard to read. I think because it is such a serious piece. So much anguish and so much injustice. I have trouble getting through fiction that has so much hurt in it.

Remus is so human - it could happen to almost any of us. Being so alone and forgetting how to take care of yourself.

The imagery is so vivid. And so sad.

I had a feeling that Jean was a werewolf at the beginning of the story with your word usage of 'share'. That is a very interesting way of writing this story.

For some editing mistakes I came across...I'm not sure if they are wrong but I think they would sound a lot better like this:

1. "which almost made even him feel sick." would sound better like this:

which almost made him feel even more sick.

2. "The delicately prepared dish was like a piece of art, too." would probably look better without the comma after art (like this:):

The delicately prepared dish was like a piece of art too.

I don't know, I just thought I would suggest a little about English usage I know works for me.

This is such a terribly great story. I was really moved by every imagery I came across in this story. The length is good too because it provides more insight into the story of Remus and Jean. I love it that it was a long story because I was able to visualize the wording a lot better and to really see the relationship and the story.

I was almost in shock when I read that Remus was sad because Sirius killed Peter, James and Lily. Then, I remembered in your summary that this was Pre-Azkaban...DOI!

Your Remus is stealing my heart - I feel like I am in love with him because of his humble nature...Now, Remus wouldn't like that!

Briseis09

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[info]paulamcg
2006-10-01 08:07 am UTC (link)
Thank you so much for reading and reviewing while this story was hard to read. I’m thrilled it worked so well for you in any case – that you found something vivid, sad and so human in it and in this Remus.

I can admit that looking at this text closely now makes me feel embarrassed for several reasons. Perhaps the story is too blatantly serious, perhaps melodramatic. I’m sure there’s also a lot to be improved in the way I use this language here.

It’s interesting you paid such attention to the word share close to the beginning of the first installment from Jean’s perspective. I had to check it out, and I still think I make it quite clear (at least to people who know JKR’s Lupin) that Jean is a werewolf – at least clearer than the fact that he’s male (while the initial ambiguity of his gender was unintentional; I didn’t realize that Jean could be a female name, too!) In any case this story is to quite an extent about sharing, so I’m glad the word made an impression on you.

Perhaps it’s a shortcoming, too, that the text doesn’t make it clear how many years after 1981 these events take place. On the other hand, I can’t help feeling glad you somehow had to share Jean’s shock.

Thank you for your editing points.

1. I really don’t like the frequency of the word even in my early work. Here I meant to point out that Remus himself, too, felt disgusted by the smell (even though he must have been used to it), in addition to worrying that it would make his friend and the waiter feel sick.

2. I was taught at school that the word too - when it means also - must always be separated from all other words with a comma – with two commas, if it isn’t at the end of a sentence.

I was able to visualize the wording a lot better and to really see the relationship and the story.

I’m so happy you feel the length of the story served a purpose and, above all, I seem to have succeeded in actually showing the relationship and the whole of the story to you. After the first verson of the story had been praised on the Snitch, some critics on Fiction Alley maintained that the long first-person parts were mere telling. It took me several months to admit that they were not totally wrong, and I revised the story, adding a couple of paragraphs which show the characters in concrete situations. In any case, the story is bound to include some more abstract, summarizing parts, because it is meant to span the time since the men first met until Remus’s departure from Paris.

Don’t worry. My Remus and I don’t mind you’re in love, as long as you don’t stubbornly keep proposing to him. Thank you again!

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[info]briseis09
2006-09-28 04:42 am UTC (link)
I also forgot to comment on your new and own character.

Simply charming yet provocative. He must be a real ANIMAL when he is a werewolf...especially by his descriptions of love for Remus...RAWR!

Briseis09

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[info]paulamcg
2006-10-01 08:35 am UTC (link)
Thank you! I’m thrilled Jean made such an impression on you. He’s here mainly just telling us about Remus and himself, and it’s reassuring that you found his descriptions and explanations convincing enough.

Hmmm…I hope your ambiguous words about an animal refer to Jean’s behaviour during the full-moon nights he spends with Remus (or another werewolf), and have nothing to do with one of my least favourite things about HBP – such an idea that all werewolves expect Lupin are hardly human at all.

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[info]ishonn
2006-10-22 08:36 pm UTC (link)
Finally. I must admit I was reluctant to further read your stories after the last 'round', including I Don't Dream, A Rosy Sunset, I Am Still the Stray and others. It is not that they are no easy fiction as such, but because they hurt me. They reach very deep, sometimes almost too deep, and I cannot - and should not - defend myself. And so it is with A Gift. However, as I expected, I am happy that I have suppressed my sense of self-preservation and read this amazing story. I am overwhelmed.

I think that the realism served at least two purposes. Firstly, you made me see, hear, smell Remus, and I believed every your word. Secondly, yet again you made me feel the cold seep through my skin and settle deep inside me. You made me understand - as far as it is possible.

In this story you developed what has already hit me so hard in Come Up With Me:

I'm still tempted to neglect planning how to survive the winter. (...) If I don't continue reading meaningless words, which detach me from myself, I start seeing this time of the year as an inviting opportunity to disappear completely.

Here, Remus's attempt to finally disappear is conscious, planned. And it is the way he chooses that defeats him, when he cannot control himself enough to refuse help. This aspect is honestly heartbreaking. And although I could imagine Remus trying to end it all, perhaps I have even read about it, it is your story that punched me hard with the acute recognition of his situation. If we treat the idea of the Lost Years as the original, then none of it has become lost in your translation.

I am extremely impressed by your characterisation of Remus. I felt he was prone to sacrifice himself, but you explained it to me. Now I am playing with the idea and trying to understand, what in his life made him like this. I do not think it would be his way of paying the fortune back for his life when all others lost it, as at this point he clearly is not grateful for that gift. Perhaps Remus is afraid to ever owe anything to anybody, so he anticipates and forestalls any attempts to offer him something.

I liked Jean as another viewpoint character, but as a person he remained rather transparent to me, which I found most right. He is the observer, the one to filter information for us and the one to provoke Remus's reactions. He makes the picture of Remus more distinct without disturbing it. Great job!

And finally, you give hope. After all this shaking and bruising you soothe me. I find the sense of this misery, and I find the way out - just like Remus.

You've told me this is an earlier work of yours and you are not completely satisfied with the outcome. I cannot convince you to think otherwise, as you are the only one who can judge it most accurately. The only thing I can do after reading this striking, wise, perfect story, is to tell you (on top of all this rambling above) that I wish I could write like that one day.

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Part one
[info]paulamcg
2006-10-23 10:33 pm UTC (link)
Thank you so much! First of all I’m grateful to you for venturing to read this story against your sense of self-preservation. Besides, your feedback is so overwhelming that perhaps I have to reconsider what I said in my latest thank-you note to you about being encouraged to continue to write unconventional fic. By praising my earliest works you can make me indulge in admiring my old achievements.

Yes, you can influence my opinion of this story. To be honest, I was completely satisfied with the outcome, until I got the first concrit on Fiction Alley almost exactly two years ago. Seven months later I was ready not only to admit that there were some shortcomings in the development of the original character and in the balance between showing and telling, but also to do something about them. Before that, in my new short stories, I had developed my style of first-person and present-tense narrative, defying the advice never to use the first person.

Perhaps now it’s time for me to realize that the kind of first-person and past-tense technique I use here in the original character’s voice can work, too. And that every original character doesn’t need to become fully fleshed-out according to something like an universal standard. It’s a reassuring surprise when you say that Jean serves his purpose here in the way he is a somewhat transparent character. Thank you so much for your wise comment on his role here. The fact that Jean is like this – mainly a filter – doesn’t need to mean that I’m not skilful at developing my characters. I develop them in the way the story I want to tell requires. Besides, like always I maintain that Remus here is at least as much my character as he is JKR’s, even though he can’t help me make any money.

I still wonder whether I went too far, giving Jean an excellent ability to analyse and make conclusions. However, it seems there are still more thoughts for the readers to play with. We don’t need to believe that Jean understood everything perfectly. In any case I gradually realized that the reviewer who said that here I’d given the first-person and third-person voices to the wrong characters had a point, and this understanding helped me succeed better in Let’s Go Home, Pads, I think.

Now I must finally get to discuss the heart of this story instead of its style. I can confess that I have sometimes felt hesitant to talk about it – particularly when I’d sent the story to my best old friend and he came to visit me and took me for a long walk to discuss it. Perhaps it hurts me too much, or at least it somehow embarrasses me. Sometimes I don’t find it hard at all to understand readers who say that my fiction is uncomfortable. We can’t escape the reality of the concrete details in my description of Remus’s situation, but what is implied is even worse.

I hardly understood everything immediately after completing the story. Only some reviewers made me realize that Remus had almost stopped resisting death. I don’t think anyone else has said it quite as poignantly as you do here, Here, Remus's attempt to finally disappear is conscious, planned. And it is the way he chooses that defeats him, when he cannot control himself enough to refuse help. Now I love the painful way you see his situation and state of mind, and I hope his first reactions (at the resraurant) don’t contradict this. Perhaps it’s simply too natural for any creature to accept food and shelter when it’s offered, and someone feeling as bereft as Remus can’t manage to seek the end of it all more actively.

I’ve always said that I can’t accept Remus (my interpretation of JKR’s Lupin) extrapolated as suicidal post-1981 or post-OotP, so I was alarmed when I fully grasped what I had written here. However, I hope I didn’t leave my readers in despair. I was thrilled that this story made my readers (particularly on the Snitch) cry but also find some hope, in the end, and evoked a comment like this one, too.

To be continued.


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Part two
[info]paulamcg
2006-10-23 10:34 pm UTC (link)
This is the latter part of my long thank-you note.

It’s interesting that you who read this story after Come Up With Me can feel that I here developed the idea of “neglecting planning how to survive the winter”. I hope the opposite chronological order works well enough. Perhaps a year later Remus was able to analyse what he had done in autumn 1985. In this story, which I had written several months earlier (and which was criticized for excessive telling) I had shown what Remus told us about in the later story.

Now you’ve challenged me to find out what in his life made him like this. I wonder whether I’m giving an adequate explanation in the novel either.

Thank you once again for reading my fiction so sensitively and wisely, and for soothing my mind with your amazing words of praise. I’d hardly dared hope you’d like this story, too, and I can’t explain how much your response means to me. It reaches out to console the writer I was two years ago – the one who cried when someone gave her the advice to stop writing about this (out-of-character and non-canon) starving!Remus. And it makes me right now want to learn (i.e. to write) more about my Remus during his years of drifting.

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Part one - [info]ishonn, 2006-10-29 07:47 pm UTC
Part two - [info]ishonn, 2006-10-29 07:50 pm UTC

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